Publications

Books:

Horner, A., and Ayers, L. 2002. Cooking with Csound, Part 1: Woodwind and Brass Recipes, Madison Wisconsin: A-R Editions (Computer Music and Digital Audio Series).



Journal Papers:

Chau, C.J., Gilburt, S., Mo, Ron and Horner, A. 2017. "The Emotional Characteristics of Bowed String Instruments with Different Pitch and Dynamics," Journal of the Audio Engineering Society, 65(7/8), pp. 573-588.

Xu Liu, Chen Tang, Xiaohan Du, Shuai Xiong, Siyuan Xi, Yuefeng Liu, Xi Shen, Qingbin Zheng, Zhenyu Wang, Ying Wu, Andrew Horner, and Jang-Kyo Kim. 2017. "A Highly Sensitive Graphene Woven Fabric Strain Sensor for Wearable Wireless Musical Instrument," Materials Horizons, 4, pp. 477-486.

Yu, Hong, Chau, C.J., and Horner, A. 2017. "An Analysis of Low-Arousal Piano Music Ratings to Uncover What Makes Calm and Sad Music So Difficult to Distinguish in Music Emotion Recognition," Journal of the Audio Engineering Society, 65(4), pp. 304-320.

Mo, Ron, So, R.H.Y., and Horner, A. 2016. "An Investigation into How Reverberation Effects the Space of Instrument Emotional Characteristics," Journal of the Audio Engineering Society, 64(12), pp. 988-1002.

Chau, C.J., Mo, Ron, and Horner, A. 2016. "The Emotional Characteristics of Piano Sounds with Different Pitch and Dynamics," Journal of the Audio Engineering Society, 64(11), pp. 918-932.

Mo, Ron, Choi, Ga Lam, Lee, Chung, and Horner, A. 2016. "The Effects of MP3 Compression on Perceived Emotional Characteristics in Musical Instruments," Journal of the Audio Engineering Society, 64(11), pp. 858-867.

Mo, Ron, Wu, Bin, and Horner, A. 2015. "The Effects of Reverberation on the Emotional Characteristics of Musical Instruments," Journal of the Audio Engineering Society, 63(12), pp. 966-979.

Chau, C.J., Wu, Bin, and Horner, A. 2015. "The Emotional Characteristics and Timbre of Nonsustaining Instrument Sounds," Journal of the Audio Engineering Society, 63(4), pp. 228-244.

Wu, Bin, Lee, Chung, and Horner, A. 2014. "The Correspondence of Music Emotion and Timbre in Sustained Musical Instrument Tones," Journal of the Audio Engineering Society, 62(10), pp. 663-675.

Lee, Chung, and Horner, A. 2014. "Discrimination of Repeated Notes in Sustained Musical Instrument Tones," Journal of the Audio Engineering Society, 62(10), pp. 654-662.

Wun, C.W., Horner, A., and Wu, Bin. 2014. "Effect of Spectral Centroid Manipulation on Discrimination and Identification of Instrument Timbres," Journal of the Audio Engineering SWociety, 62(9), 575-583.

Lee, Chung, Horner, A., and Wu, Bin. 2013. "The Effect of MP3 Compression on the Timbre Space of Sustained Musical Instrument Tones," Journal of the Audio Engineering Society, 61(11), 840-849.

Lee, Chung, Horner, A., and Beauchamp, J. 2012. "Discrimination of Musical Instrument Tones Resynthesized with Piecewise-Linear Approximated Harmonic Amplitude Envelopes," Journal of the Audio Engineering Society, 60(11), 899-912.

So, R.H.Y., Leung, N.M., Horner, A., Braasch, J., and Leung, K.L. 2011. "Effects of Spectral Manipulation on Non-Individualized Head-Related Transfer Functions (HRTFs)," Human Factors: The Journal of the Human Factors and Ergonomics Society, 53(3), 271-283.

Horner, A., Beauchamp, J., and So, R. 2011. "Evaluation of Mel-Band and MFCC-based Error Metrics to Predict Discrimination of Spectrally Altered Musical Instrument Sounds," Journal of the Audio Engineering Society, 59(5), 290-303.

Lui, S., Horner, A., and So, K.F. 2010. "Retargeting Expressive Musical Style from Classical Music Recordings using a Support Vector Machine," Journal of the Audio Engineering Society, 58(12), 1032-1044.

Lee, Chung and Horner, A. 2010. "Discrimination of MP3-Compressed Musical Instrument Tones," Journal of the Audio Engineering Society, 58(6), 487-497.

So, R.H.Y., Ngan, B., Horner, A., Braasch, J., Blauert, J., and Leung, K.L. 2010. "Toward Orthogonal Non-Individualized Head-Related Transfer Functions for Forward and Backward Directional Sound: Cluster Analysis and an Experimental Study," Ergonomics, 53(6), 767-781.

Fröjd, M. and Horner, A. 2009. "Sound Texture Synthesis using An Overlap-Add/Granular Synthesis Approach," Journal of the Audio Engineering Society, 57(1/2), 29-37.

Horner, A., Beauchamp, J., and So, R. 2009. "Detection of Time-Varying Harmonic Amplitude Alterations due to Spectral Interpolations between Musical Instrument Tones," Journal of the Acoustical Society of America, 125(1), 492-502.

Wun, C.W. and Horner, A. 2007. "Extended Principal Components Analysis Matching with Spectral Weighting for Wavetable Synthesis," Journal of the Audio Engineering Society, 55(9), 762-774.

Lui, S., Horner, A., and Ayers, L. 2006. "An Intelligent SP-MIDI Polyphonic Reduction Algorithm," IEEE Transactions on Multimedia, 13(2), 52-59.

Horner, A., Beauchamp, J., and So, R. 2006. "A Search for Best Error Metrics to Predict Discrimination of Original and Spectrally Altered Musical Instrument Sounds," Journal of the Audio Engineering Society, 54(3), 140-156.

Wun, C.W. and Horner, A. 2005. "Evaluation of Iterative Methods for Wavetable Matching," Journal of the Audio Engineering Society, 53(9), 826-835.

Horner, A. and Wun, C.W. 2005. "Low Peak Amplitudes for Group Additive Synthesis," Journal of the Audio Engineering Society, 53(6), 475-484.

Wun, C.W. and Horner, A. 2005. "A Comparison between Local Search and Genetic Algorithm Methods for Wavetable Matching," Journal of the Audio Engineering Society, 53(4), 314-325.

Horner, A., Beauchamp, J., and So, R. 2004. "Detection of Random Alterations to Time-Varying Musical Instrument Spectra," Journal of the Acoustical Society of America, 116(3), 1800-1810.

So, K.F. and Horner, A. 2004. "Wavetable Matching of Pitched Inharmonic Instrument Tones," Journal of the Audio Engineering Society, 52(5), 516-529.

Horner, A. 2003. "Auto-Programmable FM and Wavetable Synthesizers," Contemporary Music Review, 22(3), 21-29.

Ng, A. and Horner, A. 2002. "Iterative Combinatorial Basis Spectra in Wavetable-Matching," Journal of the Audio Engineering Society, 50(12), 1054-1063.

So, K.F. and Horner, A. 2002. "Wavetable Matching of Inharmonic String Tones," Journal of the Audio Engineering Society, 50(1/2), 47-57.

Horner, A. 2001. "A Simplified Wavetable Matching Method Using Combinatorial Basis Spectra Selection," Journal of the Audio Engineering Society, 49(11), 1060-1066.

Wun, C.W. and Horner, A. 2001. "Perceptual Wavetable Matching Synthesis of Musical Instrument Tones," Journal of the Audio Engineering Society, 49(4), 250-262.

Ng, A. and Horner, A. 2000. "Computation and Memory Tradeoffs in Wavetable-Filter Matching of Musical Instrument Tones," Journal of the Audio Engineering Society, 48(10), 930-939.

Horner, A. 2000. "Low Peak Amplitudes for Wavetable Synthesis," IEEE Transactions on Speech and Audio Processing, 8(4), 467-470.

Horner, A., Ayers, L., and Law, D. 1999. "Synthesis Modeling of the Chinese Dizi, Bawu, and Sheng," Journal of the Audio Engineering Society, 47(12), 1076-1087.

Horner, A. 1999. "Fake Horns: Experiments in Taped Auditions," The Horn Call: Journal of the International Horn Society, 30(1), 61-65.

Ayers, L. and Horner, A. 1999. "Modeling the Woodstock Gamelan for Synthesis," Journal of the Audio Engineering Society, 47(10), 813-823.

Lee, K. and Horner, A. 1999. "Modeling Piano Tones with Group Synthesis," Journal of the Audio Engineering Society, 47(3), 101-111.

Horner, A. and Ayers, L. 1998. "Modeling Acoustic Wind Instruments with Contiguous Group Synthesis," Journal of the Audio Engineering Society, 46(10), 868-879.

Beauchamp, J. and Horner, A., 1998. "Spectral Modeling and Timbre Hybridization Programs for Computer Music," Organised Sound, 2(3), 253-258.

Horner, A. 1998. "Nested Modulator and Feedback FM Matching of Instrument Tones," IEEE Transactions on Speech and Audio Processing, 6(6), 398-409.

Cheung, N.M., Trautmann, S., and Horner, A. 1998. "Head-Related Transfer Function Modeling in 3-D Sound Systems with Genetic Algorithms," Journal of the Audio Engineering Society, 46(6), 531-539. Abstract on JAES Homepage.

Horner, A. 1997. "A Comparison of Wavetable and FM Parameter Spaces," Computer Music Journal, 21(4), 55-85.

Yuen, J., and Horner, A. 1997. "Hybrid Sampling-Wavetable Synthesis with Genetic Algorithms," Journal of the Audio Engineering Society, 45(5), 316-330. Abstract on JAES Homepage.

Horner, A. 1997. "Wavetable Modeling of Muted Brass Tones," Journal of the Audio Engineering Society, 45(4), 241-252. Abstract on JAES Homepage.

Horner, A., Ayers, L., and Law, D. 1997. "Modeling Small Chinese and Tibetan Bells," Journal of the Audio Engineering Society, 45(3), 148-159. Abstract on JAES Homepage.

Chan, San-Kuen, and Horner, A. 1996. "Discrete Summation Synthesis of Musical Instrument Tones using Genetic Algorithms," Journal of the Audio Engineering Society, 44(7), 581-592. Abstract on JAES Homepage.

Horner, A., and Ayers, L. 1996. "Common Tone Adaptive Tuning Using Genetic Algorithms," Journal of the Acoustical Society of America, 100(1), 630-640.

Horner, A. 1996. "Double Modulator FM Matching of Instrument Tones," Computer Music Journal, 20(2), 57-71.

Horner, A., and Beauchamp, J. 1996. "Piecewise Linear Approximation of Additive Synthesis Envelopes: A Comparison of Various Methods," Computer Music Journal, 20(2), 72-95.

Horner, A. 1996. "Computation and Memory Tradeoffs with Multiple Wavetable Interpolation," Journal of the Audio Engineering Society, 44(6), 481-496. Abstract on JAES Homepage.

Cheung, Ngai-Man, and Horner, A. 1996. "Group Synthesis with Genetic Algorithms," Journal of the Audio Engineering Society, 44(3), 130-147. Abstract on JAES Homepage.

Horner, A., and Beauchamp, J. 1996. "A Genetic Algorithm-Based Method for Synthesis of Low Peak Amplitude Signals," Journal of the Acoustical Society of America, 99(1), 433-443.

Rossiter, D., Baciu, G., and Horner, A. 1995. "An Investigation into the Modelling of Virtual Objects with Sound Vibration Properties," Virtual Reality: Research, Development and Applications, 1(2), 117-121. Abstract on VR Homepage

Horner, A. 1995. "Envelope Matching with Genetic Algorithms," Journal of New Music Research, 24(4), 318-341. Abstract and sound examples on JNMR Homepage.

Horner, A. 1995. "Wavetable Matching Synthesis of Dynamic Instruments with Genetic Algorithms," Journal of the Audio Engineering Society, 43(11), 916-931.

Horner, A., and Beauchamp, J. 1995. "Synthesis of Trumpet Tones Using a Wavetable and Dynamic Filter," Journal of the Audio Engineering Society, 43(10), 799-812.

Horner, A., Assad, A., and Packard, N. 1993. "The Evolution of Musical Strata," Leonardo Music Journal, Vol. 3, p. 81.

Horner, A., Beauchamp, J., and Haken, L. 1993. "Machine Tongues XVI: Genetic Algorithms and Their Application to FM Matching Synthesis," Computer Music Journal, 17(4), 17-29.

Horner, A., Beauchamp, J., and Haken, L. 1993. "Methods for Multiple Wavetable Synthesis of Musical Instrument Tones," Journal of the Audio Engineering Society, 41(5), 336-356.



Book Chapters:

Horner, A. and Beauchamp, J. 2008. "Instrument Modeling and Synthesis," in Handbook of Signal Processing in Acoustics, D. Havelock, S. Kuwano, and M. Vorlander, editors, New York: Springer, pp. 375-397.

Horner, A. 2007. "Evolution in Digital Audio Technology," in Evolutionary Computer Music, E. R. Miranda, J.A. Biles, editors, London: Springer, pp. 52-78.

Horner, A. 2007. "A Comparison of Wavetable and FM Data Reduction Methods for Resynthesis of Musical Sounds," in Analysis, Synthesis, and Perception of Musical Sounds, J. Beauchamp, editor, New York: Springer, pp. 228-249.

Horner, A., and Ayers, L. 2000. "Wavetable Synthesis of the French Horn," in The Csound Book, R. Boulanger, ed. Cambridge, Massachusetts: MIT Press, pp. 187-195.



Conference Proceedings:

Chau, C.J., and Horner, A. 2016. "The Emotional Characteristics of Mallet Percussion Instruments with Different Pitches and Mallet Hardness," International Computer Music Conference (ICMC), Utrecht, Netherlands, 12-16 Sept 2016, pp. 401-404.

Choi, Ga Lam, Lee, Chung, Mo, Ron, and Horner, A. 2016. "The Effects of MP3 Compression on Emotional Characteristics," International Computer Music Conference (ICMC), Utrecht, Netherlands, 12-16 Sept 2016, pp. 411-416.

Mo, Ron and Horner, A. 2016. "The Effects of Reverberation Time and Amount on the Emotional Characteristics," International Computer Music Conference (ICMC), Utrecht, Netherlands, 12-16 Sept 2016, pp. 12-15.

Gilburt, S., Chau, C.J., and Horner, A. 2016. "The Effects of Pitch and Dynamics on the Emotional Characteristics of Bowed String Instruments," International Computer Music Conference (ICMC), Utrecht, Netherlands, 12-16 Sept 2016, pp. 405-410.

Chau, C.J. and Horner, A. 2015. "The Effects of Pitch and Dynamics on the Emotional Characteristics of Piano Sounds," International Computer Music Conference (ICMC), Denton, Texas, 25 Sept - 1 Oct 2015, pp. 372-375.

Chau, C.J., Wu, Bin, and Horner, A. 2015. "The Effects of Early-Release on Emotion Characteristics and Timbre in Non-Sustaining Musical Instrument Tones," International Computer Music Conference (ICMC), Denton, Texas, 25 Sept - 1 Oct 2015, pp. 138-141.

Wu, Bin, Horner, A., and Lee, Chung 2014. "Emotional Predisposition of Musical Instrument Timbres with Static Spectra," International Society for Music Information Retrieval Conference (ISMIR), Taipei, Taiwan, Nov 2014, pp. 253-258.

Wu, Bin, Zhong, E., Horner, A., and Yang Q. 2014. "Music Emotion Recognition by Multi-label Multi-layer Multi-instance Multi-view Learning," ACM International Conference on Multimedia (ACM MM), Orlando, FL, 3-7 Nov 2014, pp. 117-126.

Wu, Bin, Lee, Chung, and Horner, A. 2014. "Musical Timbre and Emotion: The Identification of Salient Timbral Features in Sustained Musical Instrument Tones Equalized in Attack Time and Spectral Centroid," International Computer Music Conference (ICMC), Athens, Greece, 14-20 Sept 2014, pp. 928-934.

Chau, C.J., Wu, Bin, and Horner, A. 2014. "Timbre Features and Music Emotion in Plucked String, Mallet Percussion, and Keyboard Tones," International Computer Music Conference (ICMC), Athens, Greece, 14-20 Sept 2014, pp. 982-989.

Lee, Chung and Horner, A. 2014. "Detection of Random Spectral Alterations of Sustained Musical Instrument Tones in Repeated Note Contexts," International Computer Music Conference (ICMC), Athens, Greece, 14-20 Sept 2014, pp. 1361-1367.

Wu, Bin, Zhong, E., Tan, B., Horner, A., and Yang Q. 2014. "Crowdsourced Time-sync Video Tagging using Temporal and Personalized Topic Modeling," 20th AMC SIGKDD International Conference on Knowledge Discovery and Data Mining (KDD), New York, NY, 24-27 Aug 2014, pp. 721-730.

Wu, B., Wun, C.W., Lee, Chung & Horner, A. 2013. "Investigating Correlation between Musical Timbres and Emotions", International Society for Music Information Retrieval Conference (ISMIR), Curitiba, Brazil, Nov 2013, pp. 415-420.

Lee, Chung, Horner, A., Beauchamp, J., and Ayers, L. 2013. "Discrimination of Sustained Musical Instrument Tones Resynthesized with Piecewise-Linear Approximation of Harmonic Amplitude Envelopes," International Computer Music Conference, Perth Australia, 11-17 Aug 2013, pp. 100-107.

Wu, Bin, Zhong, E., Hu, D. H., Horner, A., & Yang, Q. 2013. "SMART: Semi-Supervised Music Emotion Recognition with Social Tagging," SIAM International Conference on Data Mining 2013 (SDM13), Austin, 2-4 May 2013, pp. 279-287.

Lee, Chung, Horner, A., and Beauchamp, J. 2012. "Impact of MP3-Compression on Timbre Space of Sustained Musical Instrument Tones," Acoustics 2012, Journal of the Acoustical Society of America, Hong Kong, 13-18 May 2012, Vol. 131(4), p. 3433 (April).

Wun, Simon, Horner, A., and Beauchamp, J. 2012. "Wind instrument Sound Design with Centroid-Controlled Spectral Template Synthesis," Acoustics 2012, Journal of the Acoustical Society of America, Hong Kong, 13-18 May 2012, Vol. 131(4), p. 3434 (April).

Lee, Chung, Horner, A., and Beauchamp, J. 2011. "Discrimination of Instrument Tones Resynthesized with Piecewise-Linear Approximated Harmonic Amplitude Envelopes," Journal of the Acoustical Society of America, Seattle WA, 23-27 May 2011, Vol. 129(4), p. 2582 (April).

Lee, Chung and Horner, A. 2010. "Discrimination of MP3-Compressed Instrument Tones," Journal of the Acoustical Society of America, Cancun Mexico, 15-19 Nov 2010, Vol. 128(4), p. 2284 (Oct).

Hall, M., Beauchamp, J., Horner, A., Roche, J. 2010. "Importance of Spectral Detail in Musical Instrument Timbre," in Proceedings of the 11th International Conference on Music Perception and Cognition, Seattle, WA, 23-27 Aug 2010, pp. 69-74.

Ayers, L. and Horner, A. 2010. "Synthesizing the Dynamic Spectra of the Didgeridoo," in Proceedings of the International Computer Music Conference 2010, Stony Book, New York, 1-5 June 2010, pp. 510-513.

Beauchamp, J., Horner, A., and Hall, M. 2009. "Recent Research in Musical Timbre Perception," Journal of the Acoustical Society of America, San Antonio TX, 26-30 Oct 2009, Vol. 126(4), p. 2235 (October).

Lui, S. and Horner, A. 2009. "Re-Targeting Expressive Musical Style using a Machine-Learning Method," in Proceedings of the 12th International Conference on Digital Audio Effects (DAFx-09), Como, Italy, 1-4 September 2009, pp.165-172.

Ayers, L. and Horner, A. 2009. "Synthesizing Ghost Voices in Ghost Winds Talking," in Proceedings of the International Computer Music Conference 2009, Montreal, Canada, 16-21 Aug 2009, pp. 331-334.

Lui, S. and Horner, A. 2009. "Extracting and Re-Targeting Expressive Musical Performing Style from Audio Recording," in Proceedings of the Australasian Computer Music Conference 2009, Brisbane, Australia, 2 - 4 July 2009, pp. 111-118.

Ayers, L. and Horner, A. 2009. "Ghost Winds Talking," in Proceedings of the Australasian Computer Music Conference 2009, Brisbane, Australia, 2 - 4 July 2009, p. 130.

Beauchamp, J., Horner, A., and So, R. 2009. "Auditory Effect of Perturbing Musical Tones by Interpolation with Other Music Tones," Journal of the Acoustical Society of America, Vol. 125(4), Pt. 2, Portland, OR, pp. 2683-2684 (April).

Ayers, L. and Horner, A. 2009. "Synthesizing Ghost Voices with Timbre-Morphing in "Ghost Winds Talking," in Proceedings of the 8th Annual New Music Festival Conference 2009, Fullerton, CA, 18-21 March 2009, p. 3.

Ayers, L. and Horner, A. 2008. "Synthesizing Some Australian Birds," in Proceedings of the Australasian Computer Music Conference 2008, Sydney, Australia, 10 - 12 July 2008, pp. 3-9.

Fröjd, M. and Horner, A. 2007. "Fast Sound Texture Synthesis using Overlap-Add," in Proceedings of the 2007 International Computer Music Conference, Copenhagen, Denmark, 27-31 August 2007, pp. 320-323.

Ayers, L. and Horner, A. 2007. "Didgeridoo Synthesis using Timbre Morphing," in Proceedings of the Australasian Computer Music Conference 2007, Canberra, Australia, 19-21 June 2007, pp. 18-25.

Ayers, L. and Horner, A. 2007. "Modeling Expression for the Chinese Suona," 2nd International Symposium Focusing on Networked Performance Environments (part of the Sonorities Festival of Contemporary Music), Belfast, Northern Ireland, 20-25 April 2007, p. 8.

Ayers, L. and Horner, A. 2007. "Synthesizing the Chinese Suona," Asia Pacific Conference 2007, Wellington, New Zealand, 8-16 Feb 2007, p. 2.

Beauchamp, J., Horner, A., Koehn, H.-K., and Bay, M. 2006. "Multidimensional Scaling Analysis of Centroid- and Attack/Decay-Normalized Musical Instrument Sounds," Journal of the Acoustical Society of America, Vol. 120(5), Pt. 2, Honolulu, p. 3276 (Nov).

Ayers, L. and Horner, A. 2006. "Comparing the Hawaiian Nose Flute with the Western Concert Flute," Journal of the Acoustical Society of America, Vol. 120(5), Pt. 2, Honolulu, p. 3076 (Nov).

Di Filippo, K., Horner, A., Fung, E., Lim, J., and Ayers, L. 2006. "AUTUMN: A General Pitch-Extraction Wave-to-MIDI Transcription System," in Proceedings of the 2006 International Computer Music Conference, New Orleans, 6-11 Nov 2006, pp. 700-707.

Lui, S., Horner, A., and Ayers, L. 2006. "An Intelligent SP-MIDI Polyphonic Reduction Algorithm," in Proceedings of the 2006 International Computer Music Conference, New Orleans, 6-11 Nov 2006, pp. 666-673.

Wun, S. and Horner, A. 2006. "Scalable Wavetable Matching for Real-Time Polyphonic Synthesis," in Proceedings of the 2006 International Computer Music Conference, New Orleans, 6-11 Nov 2006, pp. 347-351.

Beauchamp, J., Horner, A., Ayers, L. 2006. "Effect of Critical Band Data Reduction on Musical Instrument Sounds," in Abstracts of the 2006 International Conference on Music Perception and Cognition, Bologna, Italy, 22-26 Aug 2006, pp. 51-2.

Ayers, L. and Horner, A. 2006. "Synthesizing the Chinese Suona," in Proceedings of the Australasian Computer Music Conference 2006, Adelaide, Australia, 11-14 July 2006, pp. 15-22.

Ayers, L. and Horner, A. 2005. "Synthesizing a Javanese Gong Ageng," in Proceedings of the 2005 International Computer Music Conference, Barcelona, Spain, pp. 644-647.

Lui, S., Horner, A., and Ayers, L. 2005. "MIDI to SP-MIDI Transcoding using Phrase Stealing," in Proceedings of the 2005 International Computer Music Conference, Barcelona, Spain, pp. 355-358.

Wun, C.W., Horner, A., and Ayers, L. 2005. "Extended Principal Components Analysis Matching with Spectral Weighting for Wavetable Synthesis," in Proceedings of the 2005 International Computer Music Conference, Barcelona, Spain, pp. 189-192.

Ayers, L. and Horner, A. 2005. "Synthesising Music in Csound with a Javanese Gong Ageng," in Proceedings of the Australasian Computer Music Conference 2005, Brisbane, Australia, pp. 11-14.

Beauchamp, J., and Horner, A. 2005. "Effect of Critical-Band Smoothing of Musical Instrument Spectral Data", Journal of the Acoustical Society of America, Vol. 117(4), Pt. 2, p. 2476 (April).

Ayers, L. and Horner, A. 2004. "Expressive Modeling of Chinese Folk Wind Instruments," Journal of the Acoustical Society of America, Vol. 116(4), Pt. 2, p. 2619.

Horner, A., Beauchamp, J., and So, R. 2004. "A Search for Best Error Metrics to Predict Discrimination of Original and Spectrally Altered Musical Instrument Sounds," in Proceedings of the 2004 International Computer Music Conference, Miami, pp. 9-16.

Wun, C.W., Horner, A., and Ayers, L. 2004. "A Comparison between Local Search and Genetic Algorithm Methods for Wavetable Matching," in Proceedings of the 2004 International Computer Music Conference, Miami, pp. 386-389.

Ayers, L. and Horner, A. 2004. "Synthesis of Chinese Dizi Ornaments," in Proceedings of the Australasian Computer Music Conference 2004, Wellington, New Zealand, pp. 90-93.

Beauchamp, J., and Horner, A. 2003. "Error metrics for predicting discrimination of original and spectrally altered musical instrument sounds", Journal of the Acoustical Society of America, Vol. 114(4), Pt. 2, p. 2325.

Horner, A., and Beauchamp, J. 2003. "Discrimination of Sustained Musical Instrument Sounds Resynthesized with Randomly Altered Spectra", in 2003 IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA '03), Mohonk, NY, pp. 169-172.

So, K.F., Horner, A., and Ayers, L. 2003. "Wavetable Matching of Pitched Inharmonic Instrument Tones," in Proceedings of the 2003 International Computer Music Conference, Singapore, pp. 23-26. Plenary Session.

Horner, A., and Beauchamp, J. 2003. "Discrimination of Sustained Musical Instrument Sounds Resynthesized with Randomly Altered Spectra," in Proceedings of the 2003 International Computer Music Conference, Singapore, pp. 87-90.

Wun, C.W., Horner, A., and Ayers, L. 2003. "Perceptual Wavetable Matching for Synthesis of Musical Instrument Tones," in Proceedings of the 2003 International Computer Music Conference, Singapore, pp. 251-258.

Horner, A., and Beauchamp, J. 2003. "Discrimination of Sustained Musical Instrument Sounds Resynthesized with Randomly Altered Spectra", Conference Programs and Abstracts of the Society for Music Perception and Cognition 2003 Conference, Las Vegas, NV, p. 45.

Horner, A., and Ayers, L. 2001. "A Hybrid Additive-Wavetable Synthesis Model for the Horn," Journal of the Acoustical Society of America, Vol. 109(5), Pt. 2, p.2400.

Ayers, L., and Horner, A. 2001. "The Woodstock Gamelan," Journal of the Acoustical Society of America, Vol. 109(5), Pt. 2, p.2367.

Ayers, L. and Horner, A. 2001. "Common Tone Adaptive Tuning Using Genetic Algorithms," in Microfest 2001 Conference and Festival of Music in Alternate Tunings, Los Angeles, CA, p4.

Wun, C.W., Horner, A., and Ayers, L. 2001. "Perceptual Wavetable Matching for Synthesis of Musical Instrument Tones," in Proceedings of the 2001 International Computer Music Conference, Havana, Cuba, pp. 219-226.

Ayers, L. and Horner, A. 1999. "Modeling the Woodstock Gamelan for Synthesis," in Proceedings of the 1999 International Computer Music Conference, Beijing, China, pp. 468-471.

Horner, A., and Ayers, L. 1998. "Modeling Chinese Musical Instruments," in Proceedings of the 135th Meeting of the Acoustical Society of America, Seattle, WA, volume 4, 2541-2542.

Cheung, N.M., Trautmann, S., and Horner, A. 1998. "Head-Related Transfer Function Modeling in 3-D Sound Systems with Genetic Algorithms," in Proceedings of the 1998 IEEE International Conference on Acoustics, Speech, and Signal Processing, Seattle, WA, volume 6, 3529-3532.

Horner, A., and Ayers, L. 1998. "Modelling Chinese Musical Instruments with Csound," presented at the 1998 National Conf., Society for Electro-Acoustic Music in the United States (SEAMUS), Hanover, NH.

Horner, A., and Ayers, L. 1997. "Modelling Chinese Musical Instruments in Csound," in proceedings of the 1997 International Computer Music Conference, Thessaloniki, Greece, pp. 348-349.

Horner, A., and Ayers, L. 1996. "Cooking with Csound: Wavetable Synthesis of the Woodwinds and Brass," in proceedings of the 1996 International Conference on Computer Music and Music Science, Shanghai, pp. 27-28.

Horner, A. 1996. "Wavetable Matching Synthesis of Dynamic Instruments," Audio Engineering Society Preprint No. 4389 (1996), pp. 1-23. (presented at the 101st Audio Engineering Society Convention).

Yuen, J., Kuen, C.S., Horner, A. 1996. "Discrete Summation Synthesis and Hybrid Sampling-Wavetable Matching with Genetic Algorithms," in proceedings of the 1996 International Computer Music Conference, Hong Kong, pp. 49-51.

Horner, A., and Ayers, L. 1996. "Cooking with Csound: Wavetable Synthesis Recipes for Woodwind and Brass Instruments," in proceedings of the 1996 International Computer Music Conference, Hong Kong, pp. 390-391.

Rossiter, D., Horner, A., and Baciu, G. 1996. "Visualization and Manipulation of 3D Digital Waveguide Structures for Sound Experimentation," in proceedings of the 1996 International Computer Music Conference, Hong Kong, pp. 43-46.

Beauchamp, J., Horner, A., and McAdams, S., 1995. "Musical Sounds, Data Reduction, and Perceptual Control Parameters," Program and Abstracts for SMPC95, Center for New Music and Audio Technologies, Univ. of California at Berkeley, Berkeley, CA, pp. 8-9.

Horner, A., and Ayers, L. 1995. "Harmonization of Musical Progressions with Genetic Algorithms," in proceedings of the 1995 International Computer Music Conference, Banff, Canada, pp. 483-484.

Horner, A., Cheung, N. M., and Beauchamp, J. 1995. "Genetic Algorithm Optimization of Additive Synthesis Envelope Breakpoints and Group Synthesis Parameters," in proceedings of the 1995 International Computer Music Conference, Banff, Canada, pp. 215-222.

Beauchamp, J. and Horner, A. 1995. "Wavetable Interpolation Synthesis Based on Time-variant Spectral Analysis of Musical Sounds," Audio Engineering Society Preprint No. 3960 (1995), pp. 1-17. (presented at the 98th AES Convention).

Horner, A., and Beauchamp, J. 1994. "Synthesis of Trumpet Tones Using a Fixed Wavetable and a Centroid-Controlled Second Order Filter," in proceedings of the 1994 International Computer Music Conference, Aarhus, Denmark, pp. 431-432.

Beauchamp, J., and Horner, A., 1994. "Spectral Modeling and Timbre Hybridization Programs for Computer Music," in proceedings of the 1994 Society for Electro-Acoustic Music in the United States (SEAMUS), Los Angeles, CA, pp. 9-14.

Beauchamp, J., and Horner, A. 1994. "Derivation of a Synthesis Model from Time-Variant Spectral Analysis," Journal of the Acoustical Society of America, Vol. 95(5), Pt. 2, p. 2960.

Beauchamp, J., and Horner, A. 1993. "Dynamic Spectral Envelope Synthesis of Trumpet Tones," Journal of the Acoustical Society of America, Vol. 94(3), Pt. 2, p.1834.

Horner, A., Beauchamp, J., and Packard, N. 1993. "Timbre Breeding," in proceedings of the 1993 International Computer Music Conference, Tokyo, pp. 396-398.

Horner, A., Beauchamp, J., and Haken, L. 1992. "Wavetable and FM Matching Synthesis of Musical Instrument Tones," in proceedings of the 1992 International Computer Music Conference, San Jose, CA, pp. 18-21.

Beauchamp, J., and Horner, A., 1992. "Extended Nonlinear Waveshaping Analysis/Synthesis Techniques," in proceedings of the 1992 International Computer Music Conference, San Jose, CA, pp. 2-5.

Beauchamp, J., Horner, A., Gennaula, C., and Goudeseune, C., 1992. "Investigation of Timbre using Spectral Matching, Modelling, and Interpolation," Proc. Inter. Symposium on Musical Acoustics, Tokyo, Japan, pp. 51-54.

Horner, A., and Goldberg, 1991. "Genetic Algorithms and Computer-Assisted Music Composition," in proceedings of the 1991 International Computer Music Conference, pp. 479-482.

Horner, A., and Goldberg, 1991. "Genetic Algorithms and Computer-Assisted Music Composition," in proceedings of the 1991 International Conference on Genetic Algorithms and Their Applications, pp. 337-441.



Other Papers:

Ayers, L. and Horner, A. 2007. "Sintetizando la Expresividad Musical en las Flutas Chinas," Sonoimágenes International Conference and Festival of Acoustic Music, Buenos Aires, 28-31 August 2007, p. 4.

Horner, A. 1994. Studio report: "Graphics and Music Experimentation (GAME) Room, Department of Computer Science, Hong Kong University of Science and Technology," InterCommunication, No. 9, Tokyo, Japan, p. 159.

Horner, A., 1993. "Spectral Matching of Musical Instrument Tones," PhD dissertation, University of Illinois Computer Science Department, Report No. UIUCDCS-R-93-1805 UILU-ENG-93-1720.

Horner, A., 1989. "Fractal Timing in Computer Music." M.S. Thesis, Computer Science Department, University of Tennessee at Knoxville, Knoxville, TN.